Over the final couple of days on board the Cape Farewell trip to the Arctic, everybody on the boat seemed to be extra excited. We only had a little bit of time left together, and suddenly it felt like we all wanted to get as much done creatively as possible.
I’d been chatting with Leslie Feist about messing around with choirs and weird recording spaces (we tried to make a recording in the emergency lifeboat but it was snowed in!). Jarvis had brought a collection of lo-fi equipment, including a tiny battery operated amplifier the size of a pack of cards, a JVC mic that felt like a toy, a miniature battery powered electric guitar, and his piece de resistance, a toy turntable that played real records. (He also used the turntable in one of his many disko dj sets. One of the highlights of the trip was with Marcus Brigstocke and Jarvis, DJing from our iPods for the dancing voyagers until 4am most nights).
Anyway, I was in the bar listening to an impromptu piano performance from Ryuichi Sakomoto (amazing guy, he’s an Oscar winning composer but was still happy to put his hat on backwards, don some shades, and take part in the beatbox battle on the last night!). Suddenly I was grabbed by Leslie and Jarvis, and taken up a cabin upstairs where they had set up all the lofi gear. The following jam ensued. We decided to name our newly formed super-group the Arctic Lofi.